Physical/Medical Domain

 


Physical/Medical Domain


        I have chosen to focus on the physical/medical domain because I have a personal interest in this domain. My father has bilateral optic nerve hypoplasia, which means that his optic nerves are underdeveloped. This is a congenital condition, meaning he has lived this way his entire life. With this condition, he also struggles with nystagmus, the inability to control the movement of his eyes. 

        When I tell people that my father is blind, they immediately imagine that he sees total darkness. Blindness, like many other disabilities, is a spectrum. According to the Iowa Department for the Blind, only around 18% of people who are legally blind are classified as being totally blind (https://blind.iowa.gov/resources-and-publications/misconceptions-about-blindness). The way that I typically describe my father's blindness to others is like a blurry watercolor painting. He can see color, but struggles with differentiating objects as there are no defined lines. 



        My father graduated from high school in 1985, and in speaking with him, the education he received with his disability is very different from the education we provide students with today. My father played trumpet in band when he was in school. Throughout my lifetime, he has shared with me the struggles he faced in high school, including not being able to read sheet music in band or find his dot in marching band. Outside of music, he struggled most with physical education, as he had chosen to take the regular gym class instead of the adaptive option. My father has always been fiercely independent, and he wanted the same experiences as his peers in school.

        Physical/medical disabilities can be any disability that impairs the function of the body. Physical/medical disabilities include: sensory impairments (vision or hearing), mobility issues, chronic illnesses, and more. Students with physical/medical disabilities face many challenges in their education, and they must be provided with appropriate accommodations. According to the text, students with physical/medical disabilities often do not struggle with their cognitive function, but still require accommodations to be successful in the classroom and achieve their independence (Teaching Music to Students with Differences and Disabilities, page 21).

        The music classroom is one of the most inclusive environments for students with visual impairments, and there are many ways to include these students in music-making activities. The article "Tips for Including Students with Visual Impairment in the Music Classroom" on the NFHS website talks about how including these students in the music classroom gives them a space to feel equal and included. The article also outlines some of the simple accommodations and resources we can use to teach students with visual impairments (https://nfhs.org/stories/tips-for-including-students-with-visual-impairment-in-the-music-classroom). The website gives an example of assisting students with visual impairments to keep the bow on a stringed instrument straight by using bow guides until the student has developed the muscle memory. It also talks about using textured materials for other instrumentalists. 

Some of the simplest accommodations we can make for students with visual impairments:
  • Give very clear verbal instructions
  • Provide braille or enlarged sheet music
  • Record parts for the student to listen back to
  • Provide aural, oral, and kinesthetic modeling tools
        The NFHS article also emphasizes the importance of communicating with the student, parents, special education coordinator, and other teachers to determine the best mode of instruction for the student. 

        Students with physical/medical disabilities may also face challenges in feeling “different” from their peers. The article “Academy of Music and Arts for Special Education (AMASE): An Ethnography of an Individual Music Instruction Program for Students with Disabilities” provides a social model of a disability (https://journals-sagepub-com.proxy-lvc.klnpa.org/doi/full/10.1177/0022429421990337). The model focuses on how certain aspects of a disability can change the experience for a person, but also includes contingent conditions that come from the surrounding environment. 



        To use this model as an example, a student with a visual impairment may struggle to participate in the same ways as their peers. In my choir classes, we participate in sight-singing every day. This is done with the use of the projector. If I had a student with a visual impairment in this class, they may struggle to participate in the same way as their peers based on their proximity to the projector screen. This would not be an issue for their peers, but this student would require accommodation to be able to participate at the same level as their peers. To remedy the constraints for the student, they could be provided with large-print music or braille music, depending on the extent of the student’s visual impairment. 


        The Foreseeable Future Foundation was founded by Griffin Pinkow in 2017 to help those who are blind or visually impaired live more fulfilling lives through recreational activities. In the video, Griffin talks about how the only limits you have are the ones you put on yourself. He emphasizes that your disability does not define you, but is only a part of who you are (https://www.youtube.com/watch?v=vNl82erUxJ8)

        On the Foreseeable Future Foundation website, there are blogs about events the foundation has been a part of. The one that interested me the most was a "Come to Your Senses" dinner experience (https://foreseeablefuture.org/blindfolded-dining-experience/). The evening was meant to build community and bring awareness for the blind/visually impaired, but also included sighted attendees. This unique experience allowed all attendees a safe environment for conversation and a deeper understanding of the blind and visually impaired community.

Comments

  1. Hey Opal, This is a fantastic blog! Thanks for all the great info and sharing your father experience in music/PE class. The drummer in my band is visually impaired. He can't read standard music notation, but he can see people/silhouettes and even read lyrics off an enlarged tablet if he can mount it close enough. Getting to know him and some of the challenges he faced as he has navigated the music world has been fascinating. Seeing how good of a musician he is and how well her moves though life I honestly only know about his visual issues because he has shared them with me. Understanding that visual impairments or blindness is very much a spectrum is really helpful information to reflect on. Having a wealth of ideas on how to accommodate various students with different types of visual impairments is super helpful.

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    1. Hello, and thank you for sharing! My father went to college for journalism and really enjoys writing. He does so with the assistance of a very large computer monitor with the text blown up pretty large. It is hard on his eyes, so he can only spend so much time writing before he needs a break. When he was in school, he relied a lot on his hearing for everything in music and learned most of his music for band by ear.

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  2. Hi Opal, I really enjoyed reading this! You provide a personal story and great resources to continue exploring. I appreciate speaking honestly about your father and the fact that (music) education for those with disabilities is vastly different today than it was. Also about the truth that many people may not know that there is an entire spectrum of blindness. I haven't had any severely visually impaired students, but I know that the large font/text/music does wonders for understanding. I can usually see a cloud of confusion disappear on even the best student if the sheet music is big and clear. I love the overall truth that the only boundaries we have are the ones we set for ourselves (or if others set them for us, unfortunately). I always touch on the topic of blindness and musical ability by asking if it is necessary to see to play music. They need a few seconds, but all realize that you probably don't. I may show them Stevie Wonder and Ray Charles, or videos about Derek Paravichini and Lucy: https://www.youtube.com/watch?v=7QGR3YAj9EQ and https://www.youtube.com/watch?v=7FSbnHwCfKg&list=RD7FSbnHwCfKg&start_radio=1

    Then I ask if it's possible to play music if they are deaf and they immediately say no....until some push back when they remember Beethoven....

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    1. Thank you so much for sharing these videos! My father didn't have many supports when he went to school in the 80s, so a lot of his music was learned by ear. I know that, as his vision declines even more with age, he becomes more and more reliant on his hearing for support in his daily life.

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  3. Opal,
    This article really resonated with me, and I think would resonate with my students as well. One thing that I have found my middle schoolers to really enjoy is being able to hear a real perspective. This article had that real, true perspective that they can relate to.

    I also appreciated the amount of situations and solutions you offered to assist with physical disabilities. One thing that stuck out to me was the use of braille often if needed. As a person with typical vision (except the typical nearsightedness), I am fascinated to know if Braille sheet music can be read the same as normal sheet music. Of course, students with a vision disability can learn plenty by ear, but if a student is interested in reading notation, what would the layout be? Would it still be organized in the typical 5 lines and 4 spaces? Are there raised measures and measure numbers? There's a whole world of music literacy that I have no idea about, and I'm assuming the general population of music teachers also have no idea about.

    Very thought-provoking and helpful article!

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    1. Thank you, Seth! From my research, I believe that the pitches are notated using the letter (just like it would be typically in braille with the 6 dot patterns) and are laid out as each note progresses. I'm not certain how musicians are supposed to get the idea of the rhythm from this kind of notation as there don't seem to be "rests." My father wasn't fortunate enough to have these supports when he was in school and learned almost all of his music by ear.

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  4. Opal, this was a very informative Blog and demonstrated the spectrum of blindness of sight impaired and the hit that many take to their identity as a result. We spoke of identity earlier in the semester but the more that teachers can understand from the students perspective the better we can enable that social interaction. I think the graphic that you showed makes real the isolation, oppression and constraints some students may feel. As teachers we can arm ourselves with this knowledge to create an even more inclusive learning environment for our students with visual disabilities.

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